Mascara holds a special place in our daily makeup routines—it’s that quick, effortless step that adds an instant pop to our eyes,” she emphasizes. Swapping your everyday mascara for a splash of color is an easy and fun way to experiment with your eye makeup.
No matter the time of day, choosing a colorful mascara is a fantastic decision, and the good news is that there’s really no wrong hue. However, if you’re wondering which color complements your eyes the best, consider this your go-to guide:
Blue: Universally flattering, blue mascara accentuates the beauty of blue and green eyes, making them appear more vibrant. It also creates a lovely contrast with the warm undertones in brown eyes. The blue hues work magic by canceling out yellow tones, leaving your eyes looking brighter and wider—a fantastic choice for mature eyes that may lose a bit of their luster over time.
Green: If you have brown or hazel eyes with gold flecks, green mascara is a must-try. This color instantly highlights those unique tones, and there’s something inherently festive about sporting emerald eyes.
Burgundy: Believe it or not, red mascara is a thing, and it won’t leave your eyes looking tired. This reddish-brown hue works wonders on green eyes, as red sits opposite green on the color wheel, creating a striking effect. For brown eyes, it amplifies their richness beautifully.
Purple: For green and hazel eyes, a vibrant violet mascara is the way to go. The pigment with red undertones complements green hues on the color wheel. Personally, with blue-green eyes, I’ve found that a purple lash really makes the green in my eyes stand out. Similarly, if you have hazel eyes with green flecks, you’ll notice a captivating emphasis on their emerald hues.
And if you’re ready to master the glamorous look, here’s a refreshingly simple tutorial: curl, coat, accent, finish—then dazzle.
- Curl: If you’ve made it this far, I’m assuming you’re ready to let your lashes steal the show this holiday season. A quick curl can work wonders in making them stand out. Davy suggests, “Curl your lashes really well before applying colored mascara to get the most color and definition payoff.” For that extra oomph, she also recommends tightlining your upper waterline with brown liner. According to her, the softer, yet defined look that brown gives is quite appealing, but you can always go for black if you’re in the mood for more drama.
- Coat: It’s time to embrace your chosen colored mascara. Keep in mind that purples beautifully complement green, blue, and hazel eyes, blues and greens make brown eyes pop, and burgundy looks stunning on green and brown eyes. Feel free to play with shades; a rich navy or electric blue can add contrast and visual interest, especially for those with darker brown eyes. Davy suggests sticking to jewel tones for that festive flair—think purples, emeralds, blues, and burgundies. If you’re feeling bold, experiment with applying one color on top lashes and another on the bottom—Davy personally adores a violet-teal combo.
If you’re without colorful mascara, Davy offers a creative solution: saturate a clean, dry spoolie with your favorite liquid eyeshadow and swipe away. But be warned, as she puts it, “be prepared to have colorful raccoon eyes!” Mascara is specially formulated for lashes, providing better performance.
- Accent: You could stop right there, or take things up a notch by pairing your mascara with a matching or complementary eyeliner. For a monochromatic moment, consider running a purple and blue shadow on your top and bottom lash lines. Jamie, for instance, used shades slightly lighter than her violet and navy mascaras, and it worked wonders—brighter shades close to the waterline made her eyes appear even wider.
- Finish: For the finishing touches, keep the rest of your makeup minimal. According to Davy, a soft nude shadow complements a purple mascara beautifully. You don’t need much more eye paint than that to let your colorful lashes take center stage.
We hope this article was helpful to you. You can check some popular Mascara with Details down blow.
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